Soundtrack Review: Coraline (2009)
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This is a review of the motion picture score Coraline by Bruno Coulais.
“The imagination of Bruno Coulais is staggering as some of these cues goes beyond the call of duty to make Coraline even more fantastic than it already is”
The animated movie Coraline is already being tipped as the year’s first real Oscar contender and not without reason. A lot of it has no doubt to do with the wondrous music created by French composer Bruno Coulais. Before this year I was a bit on the fence with this one because I didn’t get his particular style in a movie nominated for an International Film Music Critics Award last year. The movie was La Planete Blanche and featured some really experimental music, but now it all falls firmly into place. It was all a prelude to what he had in store for Coraline.
Track List
- End Credits (*****)
- Dreaming (****)
- Installation (*****)
- Wybie (***)
- Exploration (***)
- Other Father Song (by They Might Be Giants) (****)
- The Supper (*****)
- Bobinsky (****)
- Fantastic Garden (****)
- Coraline Fly (****)
- Trap For The Mices (****)
- Mice Circus (****)
- Dreams Are Dangerous (*****)
- Sirens Of The Sea (****)
- In The Bed (*****)
- Spink And Forcible (****)
- It Was Fantastic (*****)
- Ghost Children (*****)
- Let’s Go (*****)
- Playing Piano (*****)
- Wybie That Talks (****)
- Cocobeetles (****)
- Alone (****)
- Dangerous (*****)
- Reunion (***)
- Coraline Dispair (*****)
- The Theater (***)
- The Famous Mister B (***)
- You Know I Love You (****)
- Mechanical Lullaby (****)
- The Hand (****)
- The Party (****)
Danny Who?
Remember Danny Elfman of old? The pal of Tim Burton? That was an amazing partnership and created wonderful scores like Batman, A Nightmare Before Christmas, Beetlejuice and Edward Scissorhands to name a few. Why am I mentioning all this Elfman stuff? Because I am trying to explain what Coraline sounds like. It’s like we went back in time and there was a new Burton movie called Coraline with Elfman scoring except it isn’t. It’s Bruno Coulais turn to shine the way Danny Elfman did when he was Danny Elfman. I mentioned in the intro about experimental music, but it’s just perfect for Coraline. There are wonderful use of instruments, choirs and singing throughout that can only make you want to see the movie if you haven’t already. For those of you who have, you’ll know what I mean.
Bruno Coulais might be inspired by Danny Elfman, but he has perhaps gone one step further because his scores tend to be even more experimental than Elfman used to be. There are so many highlights here, but let’s start at the beginning and what could be better than start at ‘End Credits’? That’s just brilliant if you ask me and it’s an excellent little cue that features a fantastic choir that sings in French I believe. I don’t know who is the amazing voice we can hear in for example ‘Installation‘ which a woman sings the main theme of Coraline. If anyone knows, please let me know. It adds something to this soundtrack, a wonderful presence who combines well with the wonderful world of Coraline and the experimental sounds of Bruno Coulais. Speaking of the main theme, we hear it in it’s full instrumental form in the cue ‘In The Bed’.
The Dark World of Coraline
Some of the score sounds a bit light and cheerful, but I can’t help to feel that the overall tone of Coraline is dark and creepy. ‘The Supper’ is dark and delicious. Sounds like it came from the disturbed world of Dexter Morgan from the TV show Dexter (composed by Daniel Licht). ‘Dreams are Dangerous‘ is another dark theme that sounds a bit like the style of Thomas Newman. Bruno Coulais excellent skill here is to brilliantly use the best bits of tried and tested music and make it his own. ‘Ghost Children’ is a brilliant cue that sounds exactly like ghost children if you ask me. It has a simple build-up and uses a lonely synth with some eerie children ghostly sounds in the background. ‘Dangerous’ gives a powerful performance with a experimental jazz-like opening before it gives you chills along the way with strings and horn. ‘Coraline Despair’ adds to the overall feeling of dark orchestration and it goes well with what I have read, that the movie might be scary for kids.
Experimental Feast
There are so much to praise here that the cues that aren’t top notch gets easily forgotten. I have already mentioned the way Coulais experiments with different styles and sounds and ‘Playing Piano‘ is a great example of how it changes even inside songs. It sounds almost epic as a Lord of the Rings type choir opens the cue and it only gets more interesting. Just when you think it will explode in an amazing feast of horns, strings and percussion it turns it all around with some ambient dripping sounds and a jazz-like theme takes over. This is brilliant stuff, and I also love that the majority of the cues slides into each other like a massive cue.
Another brilliant touch by the producers is the inclusion of a new original song by They Might Be Giants called ‘Other Father Song’ that lasts an amazing 31 seconds. The lyrics is fast and fund and appropriately starts with “Making up a song about Coraline” which is exactly as it sounds. I bet they just made it up for fun on the tour bus or something. Excellent stuff! Another is the inclusion of the song ‘Sirens of the Sea’ which features what I only can describe as two old women singing a imaginary song.
Conclusion
Hats off to Bruno Coulais for creating a feast for the ears as I’m sure the movie Coraline is a feast for the eyes. The imagination of Bruno Coulais is staggering as some of these cues goes beyond the call of duty to make Coraline even more fantastic than it already is. I have nothing to say except run out and buy this, watch the movie, do both, but just do it. This is already a contender for score of the year and we’re only counting February!
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Listen to Coraline by Bruno Coulais below:
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Comments
imitation is the common form of flattery. having said that, i believe danny elfman is a genious and his style was truly unique. i enjoyed bruno’s clear imitation with subtle twist to elfmans musical style and im sure danny is nothing but flattered by that. (i hope).
Jorn Tillnes Reply:
February 17th, 2009 at 9:06 am
I agree with you on Danny Elfman. I love the stuff he did with Tim Burton, still gives me chills. Hope he does a surprise return one of these days. If not, there’s always Bruno Coulais
. Having listened to more of Bruno’s work, this isn’t a one-off.
Saw the movie and was blown away. Read the book as soon as I knew it was going to be a movie (built in Gaiman fan through the Sandman series). The music does have an Elfman quality but with a different edge. It’s more whimsically macabre.
This was an awesome movie!!! I loved it. It’s only been out for a couple of weeks and I’ve already seen it twice.(Both in 3d) My favorites were the supper with the gravy train, the Fantastic garden(my favorite, luved the music!), and the Playing Piano song that the buttoned dad sang. Such a nice tune!!! I also loved the beggining credits with button mom sewing the Coraline doll!!! I would definitley see this movie again!!! So thoughtful, unique, imaginative, amazingly mysterious and incredibly magical!!!!!
good morning, I am Lucie, I sing in the orinale band of Coraline. I am French, the soloist who sings in “installation” called Mathilde Pellegrini. And our songs are not in French, there are not languages
Lucies last blog post..enregistrement "Caroline"
Lucie, do you have the lyrics for the theme song? my son watched coraline almost a hundred times – honestly, and he’s not even 4 yrs yet. he watches it all the time and he loves the songs esp the installation i believe. we cant just figure out the lyrics. he loves your singing so much. ive tried researching to find out cause he actually seem to sing along with it. i will appreciate if you can actually provide me the lyrics.
I’m really sorry, but I can’t give you the lyrics, I don’t have the right. You can probably find the lyrics in a shop… I’m really affected by your Comment. Thank you very much, I’m happy that your son likes our songs.
see you later
Bye!
Lucie´s last blog ..Un violon électrique ![]()
Actually Danny Elfman borrowed so much from Prokofiev that you can’t listen to Prokofiev’s score for the movie, “Alexander Nevsky” along side Elfman’s “Batman” without wondering why he was never sued. I guess you can’t copyright a musical style only melodies can be copyrighted. He seems to have lifted orchestration, the way the instruments sound together, the choice of instruments, chordal constructions.
There’s a line between being influenced by something and directly lifting a composer’s forms of expression– I think Elfman crossed that line. Almost like someone looking at Picasso’s “Nude Descending a Staircase” and doing their own version calling it “Nude Ascending a Staircase” using the same palette and cubist techniques and claiming it was original.
There’s plenty of Prokofiev in Coraline as well, but there are so many influences in Coraline, that’s just part of it. I don’t get the sense that Coulais went on expression lifting excursions. Also I don’t think Elfman ever said he was influenced by Prokofiev. If he had, people would have immediately seen the problem.
Jorn Tillnes Reply:
November 5th, 2009 at 5:28 am
All true, and you can make this case for practically every composer out there. Some got sued (John Williams etc.). True originality does not exist in film music and that’s absolutely fine. It’s all about how they convey emotions and what’s going on onscreen.
Ya, even Mozart etal. but I still feel there’s a difference– Elmer Bernstein could be influenced by Aaron Copeland and even take some rhythms and orchestration cues from him at times while still making it credible. I just think Elfman went overboard on the Prokofiev without even claiming the influence, unlike Bernstein who was eager to list Copeland as an inspiration.
I can’t watch My Private Idaho for a similar reason for all the director’s lifting from Chimes at Midnight by Orson Welles, even though he at least claimed the reference– using the same uniquely Wellesian camera movements while speaking the same lines Welles used from his adaptation of Shakespeare, copying even Welles’ overbearing way of delivering the lines, imitating the general atmosphere even.
There’s a point where influence becomes mere copying, I think.
Hello! I just want to THANKS to everybody who create, sing, made every sigle thing that belong the world of Coraline…
I’m totally captured by the magic of this world….
and I’m not sky to admit that I’m 30 years old… it’s art… this movie inspire me again my creativity…. when I saw a botton, or something that I could create , I start to make things…. I don’t know how to explain.. I’m not even english… so sorry.. I can say better…. Anyway… thank you to all to have create this!!!
Jorn Tillnes Reply:
December 25th, 2009 at 12:08 pm
Couldn’t agree more. A wonderful movie that’s both inspiring and fun.
I love “Dreaming”. It’s so unique. It feels like something that forms itself, not composed. The intro alone is worth all the stars the movie can get.
[...] 15. Coraline by Bruno Coulais A very inventive score by Bruno Coulais was my first love this year. The movie itself was very fun and adventurous and the score matched that perfectly. To me it sounded like a Tim Burton/Danny Elfman production at times, but it still kept it’s playfulness and originality throughout. Bruno Coulais certainly raised his game with this score and you really need to listen to the score and watch the movie as the story unfolds. Great stuff. Read my review. [...]
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(23 votes, average: 9.17 out of 10)
Soundtrack Seek
End Credits, Wybie, and Mice Circus are my favorite
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Jorn Tillnes Reply:
February 13th, 2009 at 7:51 pm
I think they are all very good, but End Credits was particularly good.
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